Adalbert

A short piece I wrote on the artist Roman Scott's comics, in 2016. The impetus was a proposed tribute to some of Roman'...

A digital collage I made, based on a cutting with a review (by Bob Hicks) from The Oregonian, of a reissue of Abel Gance's silent fil...

There are not a lot of these hovering about; a single-page zine publication I produced in 1981 or 1982.

I first became cognizant of  Enid Starkie's beefy biography and critical study of the sui generis French poet  Arthur Rimbaud in t...

A real photo postcard, front and back, of the Reichenbach Falls (famous for its Sherlock Holmes tie-in, among other reasons). I procured th...

I've been revisiting Los Angeles and surroundings for a bit. Today: The La Brea Tar Pits and Museum. Below, spectral glyphs from comic ...

The first two pages from a paper, dated March 7, 1993, I composed for a seminar on  Melville taught by Professor Michael Hollister, at P...

Here follow a few impressions (interspersed with a few cut-ups, partly taken from a translation of a poem by Rimbaud) of my trip to Hamm, ...

Wind per East The obsidian wind with the nostrils of carved rock roamed and ruffled deep afield, decades in vain. The house on the road w...

  The text elements I added to this 1990 Playboy-photo calendar, originated from tweets of El Jefe, and a couple sentences from a te...

 A photograph of me, around age ten.

  Here is an extraordinary letter from November 1985 my friend, the late artist, Roman Scott , mailed me, when he was an exchange studen...

“It does seem slightly bizarre that two of Britain’s greatest writers of supernatural fiction, Algernon Blackwood and Arthur Machen,...

l-r, Gwen Callahan, NECRONOMIDOL , Brian Callahan, Cthulhu Girl, 10-7-18 l-r, a spectral Andrew Migliore, the artist Skinner, Richard...

Vigeland Park, Oslo, Norway, 2 October, 2018; Herre, Norway, 1 October, 2018. Photos by JF.