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Adalbert is a forum for me, to post ephemera, photography, poetry, occasional travel notes, and various spontaneous motions. Cover photo: Parsonage where my great-grandfather spent his early years. Taken near Liegnitz, Silesia, ca. 1870.


Sunday, October 11, 2015

H.P. Lovecraft Film Festival and CthulhuCon, 20th Anniversary

Hollywood Theatre, Portland, Oregon
Scott Nicolay
Richard A. Lupoff
"Sexuality and Lovecraft" panel
Photos by JF

On 3 and 4 October, 2015, I haunted the 20th anniversary of the H.P. Lovecraft Film Festival and CthulhuCon, in Portland, Oregon. The first time I attended the festival, then at the 5th Avenue Cinema in Portland, was for its second annual run (at that time I was sure it would never last more than a few years). I have attended many of the festivals since.

During the weekend of the event, I wished that I had the ability to exist in separate locales. What I took myself to see was remarkable, though. I caught, among others, Scott Nicolay, Richard A. Lupoff (reading in his courtly manner a melancholy time-shifting story), David Barker, Adam Bolivar (wearing a vintage suit and hat), reading fiction and poetry in the small classroom in the Esoteric Order of Dagon hall (otherwise known as the Hollywood Senior Center). The compact space had the aura of a living room.

 On Sunday, I witnessed a panel with S.T Joshi, Scott Connors, and Richard A. Lupoff, on "H.P. Lovecraft's editors," a sturdy crash course in the author's relations with editors. Scott Connors also spoke earlier on Clark Ashton Smith's artwork. At the "Sexuality in Lovecraft" panel, I mentioned the Lovecraft revision work (with C.M. Eddy) The Loved Dead. S.T. Joshi responded with something about the story still being disturbing today, and:  It was banned in my home state of Indiana.

I marveled at Jeffrey Combs giving a dramatic reading of The Doom That Came to Sarnath. He also held forth on the making of, and impact of, Re-Animator, following a showing of the film. I also saw Cool Air, from 1999, followed by a Q&A from director Bryan Moore, and many other films and panel discussions.

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