About Me
- Jonathan
- Adalbert is a forum for me, to post ephemera, photography, poetry, occasional travel notes, and various spontaneous motions. Cover photo: Parsonage where my great-grandfather spent his early years. Taken near Liegnitz, Silesia, ca. 1870. The "xothique" portion of the web address is a nod to Clark Ashton Smith's fictional continent of Zothique.
Sunday, December 7, 2008
Chicken Dance
Here is an H.P. Lovecraft parody, another light piece. Lovecraft has inspired a large number of parodies, both written and cinematic. The reason why his work lends itself to humorous imitation is plain: The seriousness and earnestness of much of his work (leaving aside the parodies he wrote himself) inspires such thoughts.
Last week watched Arrabal's The Guernica Tree. He is one twisted individual. The blasphemy in Tree isn't quite as revolting as the bisected bug in Viva la Muerte though. Bloggity blog blog.
A photograph I snapped at Boston Harbor way back in 1986 -- bit of a Magritte feel. The illusion turned out fairly well, a little beyond the usual trick perspective, "I'm holding up the Eiffel Tower" gag shot. I'm not clear if the optical deception would have worked with digital photography.
The Chicken Dance of Cthulhu
By Jonathan Falk
“Mr. Cash to the Blackwood Arena! Mr. Cash!” The call came over my cell phone, and I rushed to the shaded aluminum bleachers in the September heat. A small Mexican man sang Roy Orbison on a stage before a handful of teased white heads and shuffling overalls. The Multatonic Oktoberfest and County Fair was in its first few days, before the ecstasies of the weekend. I passed Pinkle – the Clown, with her surging dwarf car, and someone dressed as a robot in a cowboy hat, working the crowds of children.
When I spotted the troublemaker, a tattooed man with a goatee, shaved head, heckling the cruise ship band, he took off toward the exit gate. “Nice security code, asshole,” was ejected at me as he ran into the infrared surge of the world outside.
Oh well. Only four hours of phantasmagoria to endure, I hummed to myself.
One of the advantages of being an event dick is free admission to anything in the arena. Pig’s tongue in a dream, sow crushing her piglets as she tosses restlessly. The art show had the usual crying harlequins and Southwestern whorls of rock canyons.
I finished my shift a little after five o’clock and headed to the beer tent, the sun cooked into my neck, making my thoughts discontinous and irritable. Optimator might make my sunburn worse, but I was frustrated and depressed with life, not unlike the remarkable Hans Pfaall. One company held my car title and I was on a smiling basis with the lady at the payday advance store. The smell of sheep foreheads, placid Mormons peeling Llama wool in endless fair pavilions, breathed into my nose nostrils. Chickens are dumb clucks, cocks and peacocks squawked from the whitewashed barn. Only rednecks and farm kids could be seen, working the hay-bound aisles.
Or you might call them farmer-necks, as a friend of mine once did.
When I entered the beer tent, a little self conscious of my ears, crisp from Sol, I noted the typical oom-pah band on the stage – with a hand-drawn sign reading Helmut Gregor and his Lithuanian Vandals. I did not like the way the accordion was played, with leering overtones and trills. I felt like Thomas Wolfe writing a transparently fictionalized account of his feeling of drunken unity with the world gained at a Nazi-era Oktoberfest in the 1930s.
I ordered the house draft and drank, the beer filling my head like mercury.
Every single person in the shadowy tent was Caucasian – old men in shorts, women in peasant dresses. They were all old.
As the woodchopper’s polka commenced, I had another beer, then another. Soon I was higher than Abdul Alhazred after his binge at the nameless city.
“What’s… in the beer,” I said, as two Teutonic giants sprayed wood chips hazardously through the air, wielding battle axes, the tent now full of wild music. The fall air had become curiously cold.
When I came to consciousness, feeling as if were my first day on earth, I was dancing wildly on the stage, clad in a stiff pair of lederhosen, my bare legs revealed to the crowd, who were shrieking with laughter. I was leading them in a demonic chicken dance: My hands forming monstrous “beaks,” my “tail” wagging obscenely, then clapping in a lunatic fashion. I heard a monstrous noise from beyond the horizon; Great Cthulhu, rising when the stars were right, paid homage by the sickening rite…
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