I recently discovered (reading in a poetry anthology), that the poem, The Wreck of the Deutschland, by Gerard Manley Hopkins, contained an indirect reference to my ancestor, Adalbert Falk. The mention was not in a favorable sense. In the piece I assembled above, I selected the extract from Hopkins' poem from: Poetry Foundation. -JF, 2-11-2024
About Me

- Jonathan
- Adalbert is a forum for me, to post ephemera, photography, poetry, occasional travel notes, and various spontaneous motions. Cover photo: Parsonage where my great-grandfather spent his early years. Taken near Liegnitz, Silesia, ca. 1870. The "xothique" portion of the web address is a nod to Clark Ashton Smith's fictional continent of Zothique.
Sunday, February 11, 2024
Tuesday, March 30, 2021
The Lace-Maker
The Lace-Maker
June 30, 1987. Beverly Beach, Ore.
The leather of the sole must be half-an-inch thick when in glass cupboards for leprous dolls which lace-like stumps probe.
"Right now!" Triangular lenses look belligerent 'neath black-belt eyebrows. He waves his hand: Five stub-ends.
The very inner circle of each stump has never healed, & was wont to discharge clear fluids, especially when his limbs mimed karate motions, kind of iridescent & glowing like stupid monkey heads strung on tree- leaves. This was ever so far away from a "do not drink the water" warning, on the 20th floor of a worn city building, a bit like a beacon against poor posture & conterminous with the museum. Dull mahogany cabinets, I bet you fellows haven't seen anything like that before. And just as his cataract-laden eyes winked with victory, a wax-plastic figure (based on that of a wooden dummy) showed a glittering smile.
J. Falk, R. Scott
A collaborative poem I wrote with Roman Scott, after a visit to the now-defunct Lacey's Doll Museum in Lincoln City, Oregon (we then traveled to the Newport area, where we created these works). My family also dropped by the place a number of times, stretching back to the early 70s.
A drawing by R.Scott and me; from the same day as the poem.
Wednesday, March 3, 2021
Plain's End (prose poem)

Plain's End, a prose poem/freewrite of mine, based on impressions of Japan, and South Korea (and contents/cover) of Sunflower: A Literary Journal for Freewrites, 1st quarter, 1994, Berkeley, CA. Art/editing:Myeongsuk Jeong. A few web searches found almost no traces of the magazine (or the editor); which had its run right around the first glimmers of widespread internet availability (although one of the queries found this previous post of mine, from 2013).


Tuesday, January 12, 2021
Sunday, November 8, 2020
Meeting with Allen Ginsberg, April 12, 1985, Boulder, Colorado
A (lightly edited) journal entry of mine, covering a meeting with Allen Ginsberg, at the Boulder Bookstore in Boulder, Colorado, on April 12, 1985.
Written on April 15, 1985 (Boulder, Colorado). Monday. Saturday (April 12), R. arrived. We stayed in the Trident Coffee House for a while, then sat out on the courthouse lawn and snapped pictures of each other. At 5:30, we went to the Boulder Bookstore and met (Allen) Ginsberg; talked to him around ten or 15 minutes, interrupted only by people who wanted their books signed. We told him a little about Oddities, our philosophies (?) and so on. In the books which he signed he stamped two Tibetan symbols, of which he explained the meanings. One, I believe, indicated a Boddhisatva. Ginsberg asked Roman what kind of camera he had; R. explained it was an 'idiot' camera. Upon which we saw that Allen had a similar one himself! He asked us to buy film for him; we agreed, but were unsure of a near location. Another guy bought the film in the end.
G. snapped a picture of me, also one of a man holding a Blake/Dante book. I was grinning idiotically. We finally left through nervousness and because larger crowds were gathering about the poet. He seemed friendly and courteous as well as cryptic. Also I saw a reading he gave at the Naropa Institute on Wednesday. Quite an exuberant reader. Yesterday we saw The Wicker Man...
-- JF

