All right, only one of them here.
About Me
- Jonathan Bruce Falk
- Adalbert is a forum for me, to post ephemera, photography, poetry, occasional travel notes, and various spontaneous motions. Cover photo: Parsonage where my great-grandfather spent his early years. Taken near Liegnitz, Silesia, ca. 1870. The "xothique" portion of the web address is a nod to Clark Ashton Smith's fictional continent of Zothique.
Sunday, February 9, 2014
Saturday, February 8, 2014
Hedy Lamarr and George Antheil
Patent for the spread spectrum torpedo guidance system of Hedy Lamarr and George Antheil
source: patent
Collage by Jonathan
Hedy Lamarr: actor and driver of communication technology, along with George Antheil:
Posted by
Jonathan Bruce Falk
at
12:56 AM
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Labels:
Collage,
George Antheil,
Hedy Lamarr,
World War II
Friday, February 7, 2014
Kwagiulth Chief's Daughter/ Potlatch
I attended a dance ceremony (ok, aimed mainly at tourists) put on by the Kwagiulth tribe in Victoria BC some years back.
Photo by Edward S. Curtis
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Jonathan Bruce Falk
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2:35 PM
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Labels:
Edward S. Curtis,
First Nations,
Kwagiulth,
Kwagulth,
Native Americans,
photography
Thursday, January 30, 2014
Friday, January 24, 2014
You lobster why don't you write
CRAB
Some logographic concerns here....
Leather postcard sent from Pendleton, Oregon to Portland in 1906
Thursday, January 23, 2014
Armchair Family Bookstore
On 18 January 2014 I dropped by Armchair Family Bookstore in Portland, Oregon, and inspected its offerings. Remarkable, the survival of the improbable, that the store still exists in any sense. One writer, with a condescending tone, described the store as "boarded up," and that it's a place that used to "peddle" paperbacks. Well, Armchair never had windows in the first place, and it's still operating, if marginally. I first entered this establishment around 1979, and frequented it for many years after, although I had not been there in a very long while. Dave Smith, the bearded, expressive proprietor associated with the golden age of Armchair, long ago passed to the other side. I think of his arguments with his wife of those days, when he repeated her name in increasingly excited crescendos. I recall his invariant warnings about keeping kids away from underground comics. (This lecture occurred when a friend and I attempted to look at, or buy, Zap Comix or similar titles, kept among the frankincense pulp of Marvels and DCs, back issues of Playboys, Penthouses, Ouis, and Hustlers, National Lampoons in cramped confines behind Smith's perch, cash register, and counter.) The bookshelves wrapped around the counter, and lined along small back corridors, held a quirky stock of paperbacks and old magazines.
In more recent times, the repository maintained a vigorous trade in adult magazines, dvds, and videocassettes, apparently covering the entire "family" spectrum. On this last visit, the stock had withered to an offering of random paperbacks, National Geographics, and odd items, many of the shelves only partly filled. I picked up an Airmont Classics edition of Père Goriot and a few National Geographics from the 1960s.
But the bookstore survives, and the "Drink Hires" sign, and the attached Norman Bates house, just as when the world was created.
Armchair Family Bookstore
From the east side of Milwaukie Avenue
The eccentric Chuck would always speak of the tower in the distance, used (according to him) for training firefighters. The scene is close to Armchair.
Saturday, January 18, 2014
Nocturne, Autumn 1988
Symbolist, horror, and surrealist-infused magazine, which included work (some collaborative) by myself, Todd Mecklem, Denise Dumars, G. Sutton Breiding, Thomas Ligotti, Billy Wolfenbarger, i. arguelles, Bruce Boston, Steve Rasnic Tem, Jessica Amanda Salmonson, Thomas Wiloch, and others. Edited and published by Michael J. Lotus and Vincent L. Michael. Also published in its pages: an annotated translation of de Nerval's El Desdichado by Eric Basso. The publication contained photographs, collage, and various artwork as well. The cover looks to be a vision from Gustav Meyrink's or Kafka's Prague. I am in touch with a few of the writers and poets; others have vanished.
Posted by
Jonathan Bruce Falk
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12:25 PM
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Labels:
Collage,
experimental,
horror,
Poetry,
small press,
surrealism,
symbolism
Friday, January 17, 2014
Thursday, January 16, 2014
Friday, January 10, 2014
Arcimboldo
Dad card from Vienna, 1986
Message: Dear J, am now here in old Wien -- 5 1/2 hrs on der train -- in (?) from Innsbruck. The wedder has turned worse -- there were snow clouds near Innsbruck and it's been solidly overcast and threatening snow here -- below 0 degrees c. Went to the historical fine art museo today -- its great -- a room of Brueghels (both) many Rembrandts, some absolutely dazzling art objects made of gold, crystal, precious stones, Roman antiquities, Byzantine & Etruscan stuff etc. Too much to cover. Had a couple Hungarians from Budapesht in my room last night -- They looked & acted like characters out of a bad spy movie -- Brown Leather coats, scarfs, shiny leather suitcases, the leader told me 'shower es verboten' It was a push-button model -- He just grunted when I showed him. Had a horrible dream of 2 bats, a cat, and macabre voice calling 'Mortimer' hope nothing bad happens. Also I lit a candle. There was a ghostly voice calling when awoke. Dad
Thursday, January 9, 2014
The Early Long: The Hounds of Tindalos (1978)
Just not long ago absorbed, or re-assimilated, The Hounds of Tindalos, by Frank Belknap Long: wiki. I recall the fundraiser to bury the author properly when he died in 1994. I remember reading at the time (although this conflicts with the Wikipedia article) that Long's body was held for some time in cold storage at a funeral home.
I read only a few of the stories originally, reading the entire book this time. The luminous cover by Rowena Morrill: wiki, is as at least as memorable as the tome's contents.
When I first read The Hounds of Tindalos and The Space Eaters as a youth, I ranked them on a level close to Lovecraft's own work. Now, I see them as uneven pieces of writing. The character of "Howard" in The Space Eaters, who is based on Lovecraft, is shrieking and supercilious (and "Frank" isn't much better). Were one to encounter "Howard" of The Space Eaters in real life, the person would invite a slap in the face. If "Howard" is meant to have any similarity to Lovecraft, the portrait denigrates him. The statements from the personage, dismissing Poe and Blackwood for instance, seem decidely out of character, when triangulated with HPL's actual letters. The depiction is all the more puzzling when one considers that Long knew Lovecraft in person, and by correspondence, extremely well. The description of one of the entities, like an thread-like, white arm reaching down from the stars, and running down a tree, and other moments, is effectively frightening. But the story possesses many clumsy turns and melodramatic touches as well. At the beginning, "Howard" discusses malign cosmic beings eating their way through space. Just then, what do you know -- a guy appears out of the night who has encountered just such a creature. What are the odds?
The Hounds of Tindalos is of a higher order than The Space Eaters. Chalmers' description of his drug experience is febrile and transcendent. The short story ends a bit too abruptly and choppily, though (although hey, James F. Morton shows up by proxy). Some other pieces in the collection, such as Second Night Out, have their passages of effective supernatural writing. But too often the work has flaws, at its worst becoming incoherently goofy, as with The Peeper (or for that matter in another book by Long, his HPL memoir, Dreamer on the Nightside).
Posted by
Jonathan Bruce Falk
at
8:38 PM
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Labels:
Frank Belknap Long,
H.P. Lovecraft,
horror,
Rowena Morrill
Wednesday, January 8, 2014
Saturday, January 4, 2014
Francis Bacon
Yesterday I visited the Portland Art Museum, going through the samurai armor show, and the permanent collection. The samurai collection is enthralling, with crazy stuff such as a half-face mask based on a Noh drama character, gold-antlered headpieces, and Buddhist iconography. The singular ornamentation contrasts with the austerity of European armor from similar periods. I also examined Francis Bacon's celebrated painting, paying attention to the details of Lucian Freud's painted snouts and the geometry of his enclosures: Triptych . Add some Magritte and Joseph Cornell, and others, in, and it was a good day.
Thursday, January 2, 2014
Saturday, December 28, 2013
Friday, December 27, 2013
The Mask of the Sun
The Mask of the Sun
Venus and Jupiter, occluded, sanguine notes through
corridors fell. Wild anguish of
accordion, clarinet, cloud banks of frost and dusk. Intention was to see the mummies, not the
clavicle of coronas, Robert H. Barlow I guess hunting for alligators, goofballs
snake charmer. In its stead, creaked
raven’s beak, essence of coals mummified in Sol’s face, humbling of Caesar’s
petroglyphs, I have seen the yelling of bronze spokes in flooded Telemark. Intent was, ceremonial mask whistling,
bitumen lich crotch, the weasel head really stunk they said. Cat fang trapped in ton of bombs. A traveler gone elegant, Nosferatu bells
pounded effortlessly, pasty lips still.
JF December 27, 2013
Untitled Painting, tempera on paper, 1986
Thursday, December 26, 2013
Sunday, December 22, 2013
A couple more shots from Père Lachaise
Headstone of the Iranian author Sadegh Hedayat in Père Lachaise, and a view of the dense necropolis. Hedayat's novel The Blind Owl, with its mystical refrains and echoes of Poe, and some of his short stories affected me greatly when I read them years back. After I took the photo, an Iranian fan of the writer appeared, also taking a picture. I spoke with the man briefly. He said, "There he is... He died much too soon."
Wednesday, December 18, 2013
Père Lachaise
Jim Morrison's grave; the wall at which some of the holdouts of the Paris Commune were executed May 28, 1871; and Marcel Proust's gravesite. Some elderly woman came up to me, speaking in Italian, I think. All I could get out of what she said was JEEM Morrison, interspersed with other things. I thought she was looking for his resting place, and pointed in the general direction. She shook her head, walking off saying JEEM Morrison. Later I acted as an ad hoc tour guide, directing some guys from Strasbourg, France to the spot -- and it was the first time I had visited Père Lachaise. I also showed up with the right timing to witness a coffin unloaded from a hearse, and marched up the hill by pallbearers to the decedent's final sleep, just like in the movies. I did not take a picture, due to not getting my camera ready fast enough respect for the survivors.
Posted by
Jonathan Bruce Falk
at
12:07 PM
5 comments:
Labels:
cemeteries,
Jim Morrison,
Marcel Proust,
Père Lachaise,
photography
Tuesday, December 17, 2013
Monday, December 16, 2013
Friday, December 13, 2013
Anne Frank House
Today I toured the Anne Frank Museum -- photo represents the view out of the lower part of the building with the hidden rooms.
Thursday, December 12, 2013
Rijksmuseum
Obligatory shot. Today paid a visit to the Rijksmuseum. Some Dutch guy started talking to me about a 17th century domestic painting, insisting I explain why "I liked it." He went on to say, "I'm from here, and this is my first visit (to the museum)... shame on me."
Wednesday, December 11, 2013
Friday, December 6, 2013
Thursday, December 5, 2013
Saturday, November 30, 2013
Jahrhunderthalle, Breslau 1937
Posted by
Jonathan Bruce Falk
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2:41 PM
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Labels:
Breslau,
Centennial Hall,
postcards,
Wrocław
Saturday, November 23, 2013
Spool
Today marks 50 years and one day after Aldous Huxley, and C.S. Lewis died. I am presently re-reading Brave New World.
Friday, November 22, 2013
50 Years
I am re-posting this image, originally from 5/17/2012. The killing of the sacred king on 11/22/63 occurred before my birth. Yet the murder and the later shocks of the 1960s tinged the atmosphere, an unseen train passing. I cannot recall when I first gained a concept of the Kennedy assassination -- the tropes seemed to emerge complete, like Minerva. And the mystery of Oswald, who traveled when and where he pleased (except on his final journey), and the mystery of the companion shooter, or shooters, if they existed, persists.
Posted by
Jonathan Bruce Falk
at
12:48 AM
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Labels:
Kennedy,
Kennedy assassination,
postcards
Thursday, November 14, 2013
Australis
Australis
Wake of river, between mist-filled canyons, dense trees, leeches, roads wrought on the backs of ridges, untraced save by feet.
Bark and circles.
Black iron pagodas and low, square-founded sites, with around shimmering, yellow stalk, a true Neanderthal head, an unmanifested star: Standing at angles to the sun on top of the hill.
Not an inch uncultivated, kelp, no titanic masonry dropped, bordering, and draping, filled-in oratories, dragon creepers, fjords, scarce walkers, the upper dell obliquely green, ice and grey churning.
JF ca. 1990
Untitled painting by myself, from 1986. Tempera on paper.
Room, from 1986
Friday, November 8, 2013
Thursday, November 7, 2013
Wicker Portrait, 1921
Left to right: My great-great grandfather (from Scotland), great-aunt, second cousin, and great-grandmother (from Scotland). Milwaukie, Oregon, 1921.
Saturday, November 2, 2013
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